Garden Roll-Ups

I’ve officially gotten tired of Cosmo swiping the cherry tomatoes off the kitchen counter and making cat toys of them. So I’ve begun eating them in the yard, never even bringing them into the house.
While they’re good on their own, I yearned to do more with them. So one day while watering out back, I devised what I call the garden roll-up (okay, so I was hungry, too). I hosed off some cherry tomatoes and some sorrel and Swiss chard leaves. I layered the leaves, added a bit of oregano from the herb bed and rolled it all around a cherry tomato. It made a great little snack while I was watering the garden.


You can do this with most anything that’s available in the garden, as long as it fits in a rolled leaf. This rules out watermelon. And anything that requires cooking, like eggplant. But still, it’s a nice way to enjoy fresh garden flavors with absolutely NO work.
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Heirloom Heaven

Tomato-Basil-Balsamic Sorbet: I’ve gotta find a shorter name for it!

I’m loving myself again after momentarily hating myself.

The first time I ever heard of heirloom tomatoes, I made jokes about finding wrinkly, old, dried out veggies stashed in grandma’s attic (my grandmother kept EVERYTHING, so that was a possibility). But with the first enticing bite, I knew they were something extraordinary with which I was destined to become good friends. They typically set me back about $7 or $8 a pound, so for reasons of both economics and sheer pleasure, I refuse to ever let one go bad.
By yesterday, however, I had let several go seriously soft (I never refrigerate them, since the extreme cold damages both flavor and texture.). So after I kicked my own tush around the house for a few minutes for being a lazy, wasteful git, I decided to try making sorbet with those too-soft-for-anything-else specimens of culinary indulgence.

I’ve seen plenty of tomato sorbet recipes and always thought they sounded interesting, so this was a great opportunity to give tomato sorbet a try. Technically, the tomato is a fruit, right? So it stands to reason—to me, anyway—that a really well developed, fresh one would have great dessert potential.

With the heirlooms, I knew there would be loads more flavor, so I wanted to build my recipe carefully and take maximum advantage of them. I dug up a basic sorbet recipe and then—as I always do—changed it entirely. Mainly I look to recipes as a starting point, just to get the basic ratios right. Then I climb into my cockpit, toss the recipe over the side and start executing all sorts of mid-air acrobatics. It’s great fun playing in the kitchen, isn’t it?

For a sorbet, I knew it would be essential to use only really really ripe tomatoes—and never hothouse. I needed a few extras to complete the full two pounds, so I grabbed a couple of tomatoes a friend with an organic garden had given me. They had that intensity of flavor that improves whatever they’re near. I made up the simple syrup, and while it cooled, I peeled the tomatoes, which handle beautifully when they’re this ripe, and put them through the food mill.

I’m convinced that this was one of the factors in the sorbet turning out so well. The mill doesn’t thrash everything to death the way a blender or food processor does, and it expresses maximum pulp and juice without letting the seeds pass through. I also strained every last bit of juice that remained after the peeling and seeding, and even squeegeed the juice from the cutting board—I wanted it all.

Then I chopped the fresh basil finely, so there would be no strands catching on the mixing arm of the ice cream maker. And I used a really high-quality balsamic vinegar. Not the extra vecchio traditionale I’d spent a mortgage payment on in Modena, but something almost as exceptional. It was sweet, smooth and complex, without the tonsil-seizing aggressiveness of the cheap (and fake) stuff. And I added the barest pinch of salt, something I never see in sorbet recipes. It’s a great flavor balancer, so I figured, why not give it a try?

The resulting sorbet is something I’m exceptionally proud of. It has a wonderfully complex flavor, the most sophisticated thing I’ve ever conjured up on my own. Complex but not kitchen-sink busy. The natural sweetness of those overripe tomatoes, along with the sweetness of the balsamic, rein in the one-dimensional sweetness of the sugar. In spite of all that sweetness, it’s not too sweet. And in spite of there being both tomatoes and balsamic vinegar in the sorbet, it isn’t terribly acidic. The flavors are well balanced, and the sorbet has a nice harmony on the tongue.

Plenty of tomato sorbet recipes call for basil and perhaps balsamic, but I think four things helped me produce a really great sorbet: using heirloom tomatoes, including a primo balsamic, adding that hint of salt and gently milling the tomatoes.

Maybe extreme cold is damaging to a fresh tomato, but when I took that same tomato and made sorbet from it, something wonderful happened. Because of the cold? In spite of the cold? I’m trying not to overanalyze it. I want to simply enjoy it.

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Ernest Hemingway . . . Foodie?

When I think of Ernest Hemingway, I think of an economy of prose bordering on the miserly. He certainly was not one to waste words, most likely because of his training and background as a reporter. And while he seemed fond of topics including war, fishing, war, hunting, war, drinking, war, screwing and war, the man could write about food.

“As I ate the oysters with their strong taste of the sea and their faint metallic taste that the cold white wine washed away, leaving only the sea taste and the succulent texture, and as I drank their cold liquid from each shell and washed it down with the crisp taste of the wine, I lost the empty feeling and began to be happy and to make plans.”
 Ernest Hemingway, A Moveable Feast

While I first read A Moveable Feast ages ago, I just recently noticed this passage, and boy am I impressed. I’m there with him, chasing those briny oysters with a dry white wine. But it’s not just food talk. This combination seems to lift his character (most likely Hemingway himself) above the cold, rainy day and remind him there’s something better beyond it. Sometimes the perfect food, beverage or combination of the two can transport you this way, so that you move beyond mere sustenance into, what, optimism? Yeah, I think so.

I don’t believe he’s talking about depression-inspired gorging. After all, do those who eat this way ever actually TASTE the food they’re gorging on? And do they feel happy afterward? If they did, I’m sure there would be at least a dozen bestsellers written on it. “Eat Your Way Out of Depression.” “Pigging Out for Dummies.” “I Gorged My Way to Happiness and So Can YOU!”

Maybe this would be an instructive exercise to try next time I’m down, to find a great food and a great wine to pair with it, then set the table with linen (no paper napkins allowed!), pour the wine and eat and drink slowly, deliberately and with attention to detail. Even if it doesn’t actually lift me from the funk, it would give me something to blog about. And maybe that’s all I really need—something to get me outside of myself. I’d say that’s worth a few calories.

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Hand-Wringing Over Neck-Wringing

One of my favorite cookbooks is New Orleans Recipes, a wee tome originally published in the 1930s. While the book contains authentic Creole recipes, it also reflects a distinctly different sensibility, complete with cringe-inducing, Aunt Jemima-type cover art and a way of preparing food that’s quite removed from today’s comestibles that too often are: 1. heat-and-eat 2. dump-into-a-bowl-and-stir-in-a-cup-of-water or 3. pick-up-at-a-drive-through-window-from-a-surly-teen.

The cooking fat in this book is typically lard, and as for precision of measurement, you’re instructed to “get a knob of lard about the size of a walnut.” Occasionally it will tell you to fry something “in a heaping tablespoon of butter.” A chicken recipe will tell you to go out and get a chicken that weighs about two or three pounds, and of course, that means stepping out your door and selecting the appropriate chicken from amongst those pecking around in your yard–and killing and cleaning it–before you ever get started on the recipe. (It goes without saying that dieters and vegans were not considered a part of the cookbook-buying public in those days.)

This was a reality of my mother’s growing up years in the country, but since she helped my grandfather with the farm chores, my grandmother was the one who always took care of chicken detail. My mother knew this was something she should learn to do, too. So one afternoon she attempted to dispatch a chicken using the same fling-n-twist action she’d seem my grandmother perform. Unfortunately, she succeeded only in tearing the skin away from the neck, so that it pulled down over the chicken’s head. Then she lost her grip, and the chicken got away from her and raced blindly around the yard, as if it had a turtleneck sweater pulled over its head. Finally, my grandmother had to run out and catch it and put it out of its misery. (While my mother has always been willing and able to take on difficult chores, that remains one of the few times she has ever attempted to wring a chicken’s neck.)

To the average cook these days, the most difficult part of preparing chicken is buying a whole one and having to break it down. (Of course, with rising food prices, it’s a skill that can save you some money.) Largely, we’re spared such chores, so most everyone forgets that dinner started out as a sentient being, minding its own business in the farm yard. It’s much easier to eat meat when you don’t do battle with it first.

Not that I want to slaughter every piece of meat I set about to eat, but having spent my early years witnessing the cycle of life and death on the farm makes me appreciate it all the more. One thing I hate most is having to toss out meat that I’ve left in the fridge too long. It seems disrespectful to the animal it came from.

There are some who see any meat consumption as inherently disrespectful of the animal, but I agree with Fergus Henderson, Tony Bourdain and all the other chefs who talk about respect for the living thing that died so you could eat: The best way to show your regard for these critters who are raised to feed us is to take full advantage of all they have to offer. That’s what Fergus’ nose-to-tail cooking and eating is all about.

And as for that neck-wringing business, I’d say those chickens lived a pretty fine life pecking and scratching around on the farm up until that final moment, and in the hands of my grandmother, the pro, the end was quick and merciful.

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A Change in Choice of Beverage

My friend, the lovely and talented Missi Pyle, sent an e-mail this morning announcing the release of her new album, It’s OK To Be Happy. (plug plug plug) I’d just poured myself a cup of coffee and sat down to listen to it online (and to BUY IT, I promise, Missi!). About 30 seconds into the first song, the house began to shimmy like mad, and the cats all flew into the back and—I assume—under the bed. I couldn’t fit under there and had to settle for crawling under the table. We’re all still pretty jittery. Of course, I joked to Missi that it was the impact of her music that made it seem as if the whole earth were moving . . . It was really odd listening to her singing away while I was crouched under the table, wondering when the house would quit shaking.

At times like this, you just don’t need coffee. After the earthquake was over, I traded the java for a slug of Jameson’s. And then another. Now I feel much better, although adrenaline and whiskey make for an unsteady combination, especially since I was too shaken up to eat lunch. I must admit, though, a good Irish whiskey trumps supermarket coffee any day.

Well, good luck with the album, Missi! I’m hoisting the Jameson’s bottle in your direction. See you soon. xoxo

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